An Examination of Music in The Tempest Essay -- The Tempest Essays

An Examination of Music in The Tempest Compared to plays compose for public playhouses, The Tempest offers a unique emphasis on unison. Hiring supererogatory medical specialtyians, along with the time constraints usually resulted in small attention disposed(p) to this area (Long 95). Given the large degree of detail allotted to music in the play, it is believed the audience to start been upper class, however, music of The Tempest serves a variety of functions beyond that of mere entertainment. By exploring the evidence provided in The Tempest, we poop reveal some of these functions that music serves in the play. Direct roles of music in The Tempest Mental manipulation Music in The Tempest is use by Ariel to manipulate his victims in a number of ways, one organism a sleight of mind. Take away the enchanted island and Prosperos magic and music still holds a quality which enhances or detracts from ones mood similarly, Ariels songs seem to have a way of creeping into the mind of the listeners, but his gradually changes their very(prenominal) thoughts. Our first evidence of how this manipulation functions is Ariels song sung to Ferdinand This music crept by me upon the waters, Allaying both their fury and my passion With its sweet air thence I have followd it, Or it hath drawn me rather. (1.2.391-95)The music begins to work by evoking a state of passion, then playing upon this heightened sense of emotion, Ferdinand is drawn in a manner which seems similar to that of the call of the sirens. Ariels playing and singing while concealed allows the music to be felt like a subtle presence, possibly coming from the island, perhaps his own mind. Ferdinand is not sure whether it comes from the wat... ...hich the play leads, it is the conflict in the struggle for the power it represents, and the resolution in the harmony it provides. plant life CitedGervinus, G. A review of The Tempest. Shakespearean Criticism 8 (1877) Johnson, W. The Genesis of Ariel Shakespeare quarterly 11.3 (1951) 205-10.Long, John. Shakespeares Use of Music The Final Comedies. Gainesville University of Florida Press, 1961.Other Voices The Sweet, Dangerous Air(s) of Shakespeares Tempest. Shakespeare Studies 24 (1996) 241-74 Palmer, D.J. The Tempest. capital of the United Kingdom Macmillan & Co., Ltd., 1968.Scott, Mark. Shakespearean Criticism. Detroit Gale Research, Inc., 1989.Smith, Hallett. Twentieth Century Interpretations of The Tempest. Englewood Cliffs Prentice-Hall, Inc., 1969.The Riverside Shakespeare. Boston Houghton Mifflin Co., 1997.